Following this, we have two excerpts from what might as well be called Broadway Master Classes. He talks about his job and work on this show, Alladin and others, as well as offering techniques to achieve FX gold on a dime budget. So sit back, and enjoy today's trip!ДЇrozen recently opened on Broadway, and we got a chance to talk with Jeremy Chernick, the effects designer for this tech heavy production.

His dedication to using the arts to help others led to his creation of 'The Bench' a show following the lives of several people before and after their troubles began. Robert Galinsky spends most of his time working with prison inmates and pre-release candidates. Both have served time in prison, and have used theatre as a way to escape their pasts, but use this show to illustrate it to help others avoid their mistakes. Next, Moises Belizario and Steven Prescod talk about putting together the one man show, A Brooklyn Boy, featuring Prescod playing over 25 roles. First, Baba Brinkman has been making his name doing one man rap shows about scientific concepts he describes as 'part rap concert, part TED talk and part stand-up.' He discusses his process of researching and writing these shows while talking about his latest, 'Rap Guide to Consciousness'. We're back with a brand new season, and to kick it off, we're going to be exploring the one-man show. George Calderaro stops by to discuss its historic and entertainment importance, and how you can help at All of that, inside! Tin Pan Alley May face being erased in the name of progress in lower Manhattan. Finally, one of the oldest institutions of our songwriting heritage. Actors Adam Kee and Gabriella Marzetta discuss working on this show in a very new вЂњrep-in-theatreвЂќ tradition that is helping shows find their feet. Next, The new adaptation of the old Frankenstein continues to run strong at St. A show that will be influencing how future shows tell their stories, Michael discusses what so attracted him to the material. Then, Michael Lee Brown has been alternate for Dear Evan Hansen since the beginning. First up, Tina Marie Casamento shares with us her highs and lows of bringing the story of a young Judy Garland to Broadway with her development as writer and producer of Chasing Rainbows. Old stories become new, and new trends influence how we see shows of the past. The past and the present constantly collide in the theatre.

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